Undaunted by many failures, she dramatized several of her novels with moderate success - Francois le champi, played at the Odeon in 1849, and Les Beaux Messieurs de Bois-Dore (1862) were the best; Claudie, produced in 1851, is a charming pastoral play, and Le Marquis de Villemer (1864) (in which she was helped by Dumas fits) was a genuine triumph. [Please select]
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Odeon, the first at Athens, ii, 182. [Please select]
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